![CrissCross, 2009, Paint and pen on wall, 11 x 85 feet. [detail view] Photo: Robert Wedemeyer Installation view at Los Angeles International Airport 2009-2010. Inspired by the temporary human and spatial interactions continually taking place at](https://images.squarespace-cdn.com/content/v1/5bef459da2772c61ffb4a28f/1542648639050-6ZI9EFXRJ3A7G95ZDCLD/DSC_3428.jpg)
![CrissCross, 2009, Paint and pen on wall, 11 x 85 feet. [detail view] Photo: Robert Wedemeyer Installation view at Los Angeles International Airport 2009-2010. Inspired by the temporary human and spatial interactions continually taking place at](https://images.squarespace-cdn.com/content/v1/5bef459da2772c61ffb4a28f/1542648646891-CNRF29UM23SP87Z02FMP/Detail2_small.jpg)
![CrissCross, 2009, Paint and pen on wall, 11 x 85 feet. [detail view] Photo: Robert Wedemeyer Installation view at Los Angeles International Airport 2009-2010. Inspired by the temporary human and spatial interactions continually taking place at](https://images.squarespace-cdn.com/content/v1/5bef459da2772c61ffb4a28f/1542648650981-MKOO77WCHCICM902Y5KB/Detail3_small.jpg)
![CrissCross, 2009, Paint and pen on wall, 11 x 85 feet. [detail view] Photo: Robert Wedemeyer Installation view at Los Angeles International Airport 2009-2010. Inspired by the temporary human and spatial interactions continually taking place at](https://images.squarespace-cdn.com/content/v1/5bef459da2772c61ffb4a28f/1542648658827-QSCXHLDDWBNO1WBDPBTO/Detail4_small.jpg)
Photo: Robert Wedemeyer
Installation view at Los Angeles International Airport 2009-2010.
Inspired by the temporary human and spatial interactions continually taking place at Los Angeles International Airport, Crisscross depicts LAX as an environment that connects one place to another… and another... and another.
By incorporating visual cues from around the airport itself, this piece renders travel as most of us experience it: a hazy montage of landmarks and sightlines that nudge us along our individual paths. The work is not meant to be deciphered so much as felt and remembered in fragments—like those incongruous yet purposefully interlocking patches of landscape one sees from an airplane window.
Photo: Robert Wedemeyer
Installation view at Los Angeles International Airport 2009-2010.
Inspired by the temporary human and spatial interactions continually taking place at Los Angeles International Airport, Crisscross depicts LAX as an environment that connects one place to another… and another... and another.
By incorporating visual cues from around the airport itself, this piece renders travel as most of us experience it: a hazy montage of landmarks and sightlines that nudge us along our individual paths. The work is not meant to be deciphered so much as felt and remembered in fragments—like those incongruous yet purposefully interlocking patches of landscape one sees from an airplane window.
CrissCross, 2009, Paint and pen on wall, 11 x 85 feet. [detail view]
Photo: Robert Wedemeyer
Installation view at Los Angeles International Airport 2009-2010.
Inspired by the temporary human and spatial interactions continually taking place at Los Angeles International Airport, Crisscross depicts LAX as an environment that connects one place to another… and another... and another.
By incorporating visual cues from around the airport itself, this piece renders travel as most of us experience it: a hazy montage of landmarks and sightlines that nudge us along our individual paths. The work is not meant to be deciphered so much as felt and remembered in fragments—like those incongruous yet purposefully interlocking patches of landscape one sees from an airplane window.
CrissCross, 2009, Paint and pen on wall, 11 x 85 feet. [detail view]
Photo: Robert Wedemeyer
Installation view at Los Angeles International Airport 2009-2010.
Inspired by the temporary human and spatial interactions continually taking place at Los Angeles International Airport, Crisscross depicts LAX as an environment that connects one place to another… and another... and another.
By incorporating visual cues from around the airport itself, this piece renders travel as most of us experience it: a hazy montage of landmarks and sightlines that nudge us along our individual paths. The work is not meant to be deciphered so much as felt and remembered in fragments—like those incongruous yet purposefully interlocking patches of landscape one sees from an airplane window.
CrissCross, 2009, Paint and pen on wall, 11 x 85 feet. [detail view]
Photo: Robert Wedemeyer
Installation view at Los Angeles International Airport 2009-2010.
Inspired by the temporary human and spatial interactions continually taking place at Los Angeles International Airport, Crisscross depicts LAX as an environment that connects one place to another… and another... and another.
By incorporating visual cues from around the airport itself, this piece renders travel as most of us experience it: a hazy montage of landmarks and sightlines that nudge us along our individual paths. The work is not meant to be deciphered so much as felt and remembered in fragments—like those incongruous yet purposefully interlocking patches of landscape one sees from an airplane window.
CrissCross, 2009, Paint and pen on wall, 11 x 85 feet. [detail view]
Photo: Robert Wedemeyer
Installation view at Los Angeles International Airport 2009-2010.
Inspired by the temporary human and spatial interactions continually taking place at Los Angeles International Airport, Crisscross depicts LAX as an environment that connects one place to another… and another... and another.
By incorporating visual cues from around the airport itself, this piece renders travel as most of us experience it: a hazy montage of landmarks and sightlines that nudge us along our individual paths. The work is not meant to be deciphered so much as felt and remembered in fragments—like those incongruous yet purposefully interlocking patches of landscape one sees from an airplane window.